Yet Christianity seems helpful only in the most utilitarian sense. Throughout the film, Shut In makes these overt Biblical allusions. One of the nails goes through Jessica’s hand, and she looks down at her bloody hand, and then up at the crucifix nailed above the door, just to make sure we catch the symbolism. At first, her ex-husband helps her, but soon they get in a fight and he puts her back in the pantry, nailing it shut for good measure. Meanwhile, her ex-husband ( Jake Horowitz) shows up, accompanied by his meth buddy, a convicted child molester played by Vincent Gallo. Jessica spends the next 57 minutes of screen time inside the pantry. ![]() Did Hollywood really need help releasing middling thrillers in February? That’s right, given the opportunity to finally stick it to those phony moralists in Hollywood, The Daily Wire’s first play was to finance a poor man’s 127 Hours or Buried(which already sucked). Soon Jessica manages to accidentally lock herself inside the pantry, and after about 10 straight minutes of Jessica inside, it started to dawn on me what I was watching: a good old-fashioned single-location thriller. “Lainey, these apples are rotten,” Jessica tells her, over the fourth or fifth straight close-up of a rotten apple. She fills her pails with them, emptying them onto a great pile inside, where meemaw used to make apple butter. Night Shyamalan school of obnoxious children, spends most of her time collecting apples. In fact, lots of this movie consists of characters operatically narrating their own actions. She’s living there with her infant son and fantastically unhelpful daughter (this will become important later), Lainey, whose name Qualley will bellow throughout the film, really utilizing those pop music pipes. The story, by first-time screenwriter Melanie Toast (whose name I can’t read without laughing) follows Jessica (Qualley), a struggling single mom in a skimpy tank top (Dear Penthouse…) who is newly sober and living in a rustic farmhouse she’s just inherited from her mother. Which gives Shut In the flavor of a real Hollywood production, distinctly lacking the flat lighting and corny compositions that characterize your typical faith-based films, which are probably shot by someone who cut their teeth staging megachurch live shows. If my goal had been to avoid having politics shoved down my throat like Jeremy Boreing claimed, so far it was going terribly.Īs the movie begins, it becomes clear that, whatever else you might say about DJ Caruso, veteran director of xXx: The Return Of Xander Cage, I Am Number Four, Eagle Eye, Disturbia, and a legitimate favorite of mine, The Salton Sea, he does have a visual style. ![]() I narrowly avoided spending $144 on this movie, having to go back a page to toggle a slider to be billed “weekly” rather than “yearly.” In so doing, I missed out on a golden opportunity to own a truly iconic “ leftist tears” tumbler. Attempting to watch it the non-industry insider way, I went directly to the DailyWire site, where I was forced to click the “stand with us” button under a giant banner image of scowling nerds. I reached out for a screener via the email that kept sending me the Daily Wire’s press releases, but never received a response. ![]() Watching a movie starring a second-generation celebrity and the bad boy of 90s auteurism seemed like a weird way to stick it to Hollyweird, but at least it was a combination strange enough to be intriguing. Shut In stars Rainey Qualley - sister of The Leftovers star Margaret Qualley, daughter of Andie MacDowell, and a pop singer performing under the name Rainsford - and Vincent Gallo, an experimental director perhaps best known for shooting an unsimulated oral sex scene with Chloe Sevigny in Brown Bunny. Of course, he said this in the same breath as “If you’re fed-up with the cultural edicts of our country’s self-appointed moral overlords in Hollywood and legacy media, stay tuned,” and this convoluted, we’re-going-to-remain-apolitical-to-own-the-libs approach seems to define Shut In, a politically apolitical thriller at war with itself and appealing to no one. Of their movie offerings, Shapiro’s partner Jeremy Boreing assured Deadline in January of last year, “We will make great entertainment that all Americans can enjoy, regardless of their political views.” It was intriguing because while Shut In appears to be a straightforward thriller from an established director, The Daily Wire is the right wing media company co-founded by reactionary dorklet Ben Shapiro, whose nasal drone can be heard blaring from speakers all across the nation, railing against woke-nized Disney cartoons that he can hardly bear to jack off to anymore or whatever. ![]() Back in August, The Daily Wire announced that they had wrapped production on their first original film, Shut In, a thriller from Disturbia director DJ Caruso.
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